Making A Mess..

workroom

..Out of my new workroom which was clean.. for a minute.. (This is actually still relatively clean to what it can be). I’m in full-on production mode. I’ve got a bunch of new buttons, cards, and prints in the works. Plus, a couple commissions still in the pipeline (on their way out soon!) And of course, lots of new originals coming that hopefully I’ll be able to extract out of my head and put onto paper (into paper?). Having a new workspace has been challenging — I seem to most easily “create” in a space that I’ve comfortably broken in, and I guess it’s going to take a bit of time to get used to these new walls, windows, outside sounds, etc.. I feel it coming on, and it has no choice because I’ve got the Spinach Festival AND the Lawrence Fall Arts & Crafts Festival coming up on the 10th and 11th of September, respectively. Plaza Art Fair follows two weeks after that. Oktoberfest, Maple Leaf Fest, and Artclectic soon thereafter. This pretty much equates to major stress and lack of attention to my website. Things ain’t always easy, but I wouldn’t trade this for the world. Looking forward to winter when I’ll be able to work on some other things that I’ve got grinding in my brain.

Walter Henry Williams, painter and printmaker

whw

Walter Henry Williams is one of my all-time favorite artists, and his work has inspired my own in many ways. He was born in 1920 in Brooklyn, NY, and died in 1998 in Copenhagen, Denmark. There’s not a ton of information about him that I’ve found so far, but here’s a bio that I found (from http://www.dropbears.com/a/art/biography/Walter_Williams.html). I love the last line and quote about his work:

Walter Williams, painter, print-maker, and sculptor, was born in Brooklyn, New York where he attended the public schools. He studied at the Brooklyn Museum Art School for four years (1951-1955) where he came into contact with Ben Shahn, Reuben Tam, Victor Candell, and Gregorio Prestopino. The latter’s rich velvety blacks undershot with deep reds and greens strongly influenced Williams’ own work. In 1953 Williams won a summer scholarship to the art school at Skowhegan, Maine, and there won first prize for painting. He began to exhibit his work in 1954 and in 1955 won a Whitney Fellowship that permitted him to travel and work in Mexico. He won the National Institute of Arts and Letters grant in 1960 and the Silvermine Award in 1963, among others. Williams went to Europe in 1960, spent some time in Amsterdam and London and then settled in Copenhagen for four years. He then moved to Rome, remained until 1966 when he became artist-in-residence at Fisk University in Nashville, Tennessee. He has had many one-man shows and participated in a great many group exhibitions, showing paintings and prints, drawings and sculpture. Many of his works are in important museums; among these are The Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, D.C., and the Whitney Museum of American Art, New York. The word that comes to mind when this artist’s name is mentioned is “nature,” for Williams, although born and brought up in the largest city in the world, can still remember when part of that city was a flowering tree-lined area in which children could escape the hard pavements and enjoy the pleasures of the sights and sounds that most of us delight in: birds, soft summer evenings, green landscapes; The Chairman of the Department of Art at Fisk University wrote of him: “Paintings and prints echo more than childhood memories, but also a dream world where the mind is at peace with nature and self. . .one of the rays of light so often needed in a so often light-deprived world.”

Moved and Settling In

Hello Internet world. I’ve been absent from my blog for the last week because I’ve been relocating muhself. I’ve got every room set up except for my workroom which is currently in shambles, and I keep finding ‘better’ things to do so as to avoid it, I suppose. Tomorrow morning is THE morning because I can’t put off the work that I have to get done for commissions and art fairs any longer. Random information: I’m accessing the internet through my cell phone signal right now.. still haven’t gotten the ol’ interweb access hooked up. That comes Friday.

In the meantime, the exhibit I’m in titled “Scratch, Sprinkle, Cut: Conversations in Black and White” opened last friday at the Carnegie Cultural Center in Ottawa, KS. I have 10 black and white paper cuttings and they’re hanging along with the works of artists Lora Jost and Azyz Sharafy. I’ll post more images of my work included as soon as I get some real internet access. Until then…